Upcoming exhibition

PHOTO LONDON 2026

I am pleased to share that a selection of my photographic works will be presented at Photo London 2026, one of the leading international fairs dedicated to photography. The presentation will be hosted by Ira Stehmann Fine Art, who will be exhibiting a selection of my recent works as part of their curated booth.

National Hall, Olympia

Hammersmith Road

London W148UX

Preview Days: 13 – 14 May 2026

Public Opening: 15 – 17 May 2026

New bronze sculpture

“Herr/Frau Nakamura, 2024”

52 × 19 × 14 cm

20 ½ x 7 ½ x 5 ½ in

Edition of 7

 

Retrospective monograph

PHOTOGRAPHIC WORKS 2013 – 2025

“In a time oversaturated with images and quick consumption, Marcus Schaefer’s photographic work stands as a quiet rebellion. It defies easy categorization, resists superficial clarity, and insists on depth, ambiguity, and sensation. Spanning more than a decade, this body of work, collected in Marcus Schaefer — Photographic Works 2013–2025, is not merely a retrospective, but a portal into a unique aesthetic universe: one where the known is made strange, and the invisible is drawn delicately into view. From abstract portraits and conceptual still lifes to spectral nudes, object studies, and previously unseen street and travel images, Schaefer’s photographs speak in visual riddles. They are less concerned with the outer appearance of things than with the inward resonance they provoke. This retrospective captures the evolution of that vision across twelve years a period during which Schaefer’s vocabulary has grown more refined, his experiments more confident, and his voice more assured.”

— Christina Clemm

Featuring 500+ photographs

24 × 30 cm

308 pages

First edition of 500 copies

Published by Patrick Remy Studio

Journal

THE MATERIALIZATION OF TIME Vol. 2

“The Materialization of Time Vol. 2 is a continuation of the first volume and once again explores time as a vast structure of memory, information and interconnectedness. Every object is a fossil of consciousness—a crystallization of lived time. A finished piece of art does not merely represent a moment or period of time; it is that moment or period of time, transfigured into form. Objects, then, are not merely things. They are capsules of lived time. Each object carries within it the hours, memories and emotional weather from which it was formed. When someone encounters them, this time does not remain sealed—it unfolds anew within their own stream of experience. My temporal fingerprints are embedded in the piece, yet the viewer’s consciousness fuses with it, creating a dialogue across dimensions of subjectivity. It is a form of time travel: not the transport of bodies through eras, but the sending forward of lived experience in condensed, tangible form.

With this publication I invite you to witness these fossils of consciousness, these condensed fragments of human existence. May they awaken in you not only a recognition of time’s passage but also a sense of its boundless potential to be reimagined, re-lived and re-shaped.”

— Marcus Schaefer

Featuring paintings, drawings & sculptures

35 × 50 cm

36 pages

Limited edition of 30 copies

Designed & published by Marcus Schaefer Studio

Editorial assignment

THE NEW YORKER

The creative team at The New Yorker commissioned me to create a visual piece to accompany a fiction story by Miriam Toews.

Featuring photography

200 x 270 mm

Out in print in August 2025

Read online here

Bronze sculpture

“Frau/Herr Ontowo, 2024”

92 x 30 x 30 cm

36 1/5 x 11 4/5 x 11 4/5 in

Edition of 7

Editorial assignment

Notes on Beauty – Inaugural Issue

by Document Journal

“This inaugural issue brings together a wide constellation of voices—from artists and philosophers to designers, writers, and photographers—each offering their own response to the question of what beauty means, and what it might still become. Some of the conversations are direct and tender. Others are deliberately oblique, circling the idea rather than trying to pin it down. Because to talk about beauty is to talk about what we long for, and longing is not tidy. It’s contradictory. It’s charged.”

— Nick Vogelson (Editor in Chief)

Featuring three photographs

Out in print in May 2025

Click here to read more about this new magazine

MiniZine

NACHTSCHATTEN GESTALTEN

“In an age where the self is increasingly fragmented, where identity dissolves into the static of algorithmic precision, „Nachtschatten Gestalten“ emerges as a visual meditation on human estrangement. The large-format drawings present figures that hover between presence and absence—sleepwalking through the fabric of existence, their identities eroded by the machinery of modernity. Shadows of their former selves, they drift in a perpetual state of detachment, together yet alone, present yet ungraspable…

…„Nachtschatten Gestalten“ speaks to a world where human intimacy has become a selfish endeavor—an echo chamber of the self rather than a genuine encounter with the other. The people depicted here are locked in moments of mutual absence, seeking meaning in an environment that systematically erodes it.

This is the futile search for identity in a landscape where identity itself is a remnant, where humanity, once rich in nuance, is subsumed by a cold arithmetic of efficiency.”

— Marcus Schaefer

Featuring large format drawings created between 2020-2023

17 × 25 cm

64 pages

Limited edition of 50 copies

Designed & published by Marcus Schaefer Studio

Sculpture

“Das anonyme Gesicht, 2024”

52 x 14 x 14 cm

20 1/2 x 5 1/2 x 5 in

[plaster stone, iron steel]

Commercial assignment

Dior Magazine #49

“The renowned creative agency Baron+Baron and the team at Dior commissioned me to capture an alternative vision of their Chiffre Rouge watch collection. My approach was to challenge the conventional notion of time as a linear construct and instead explore it as something more fluid and interconnected. I see time as a medium—an invisible network or database where past, present, and future continuously shape and record one another. It is a kind of technology, a tool that consciousness uses to experience itself in a structured yet ever-evolving way. Through this series, I sought to visualize this perspective, creating images that transcend the ordinary and invite a deeper contemplation of time’s true nature.”

— Marcus Schaefer

Featuring photographs

230 x 300 mm

Out in print in February 2025

Journal

The Materialization of Time

“The concept of materializing time through art stands at the intersection of philosophy, creativity, and the enigma of physics. Time, in its purest form, is intangible—an abstract dimension that resists material representation. Yet, what if we could bridge that gap and render time into objects, translating its essence into tangible forms? Such an approach invites us to think of time not as a simple, linear sequence but as a complex structure that stores memory and information, forming an intricate web of interconnected moments. I perceive time as a medium, much like an invisible network or database, where past, present, and future continuously influence and record one another.”

— Marcus Schaefer

Featuring paintings, drawings & sculptures

35 × 50 cm

36 pages

Limited edition of 50 copies

Designed & published by Marcus Schaefer Studio

Cover assignment

The New York Times Magazine

For this cover story The New York Times commissioned me to create photographs that visualize the experience of chronic pain. Chronic pain is inherently invisible, which presents the challenge of making it perceptible through imagery. I aimed to capture photographs that not only represent pain but also possess a sense of visual poetry, avoiding imagery that might feel unpleasant or distressing.“

— Marcus Schaefer

Featuring photographs

245 x 300 mm

Out in print on the 19th of January 2025

Read story online here

Painting

“Ein Treffen im Vakuum der Zeit, 2024”

195 x 130 cm

76 3/4 x 51 1/5 in

[oil pastel, acrylic & charcoal on linen]

Book Launch & Signing

Mapping Subconsciousness

“There is a spectral nature in photography - it can have a dark, absorbing element to it - something between life and the afterlife. It is like a time capsule that grants you the magical tool to go back and forth in time and make the now look like a timeless place in the void.”

— Marcus Schaefer

Wednesday, 16th of October 2024 / 6 pm

Delpire & Co.

13 Rue de L’Abbaye

75006 Paris

Featuring photographs

19 x 25,5 cm

116 pages

Edition of 400

Please find more details about the launch here

Sculpture

“Frau/Herr Dumitri, 2024”

102 x 14 x 12 cm

40 1/6 x 5 1/2 x 4 2/3 in

[plaster stone, iron steel]

 

TV Report

The Surrealist Manifesto: Marking a century of avant-garde art

As part of their documentary about the 100th anniversary of the surrealism movement FRANCE 24 visited me in my atelier to talk about my practices as an artist who continues the surrealist tradition in modern times.

Featuring photographs, paintings and sculptures

See full documentary here

Portraits assignment

Document Journal No. 24

“Scientist Jacques Vallée and Scholar Jeffrey J. Kripal Challenge the Limits of Knowledge”

290 x 250 mm

Out in print May 2024

 

Interview

Coveteur Artist Spotlight

“NOSTALGIC YET FUTURISTIC, INTERGALACTIC YET HUMAN, PSYCHEDELIC YET MONOCHROMATIC”

Featuring photographs, paintings and sculptures

Read full Interview online here

Commercial assignment

Hermès Paris

“TIME, A HERMÈS OBJECT”

Print & motion campaign worldwide

See motion campaign here

Portraits assignment

Document Journal No. 23

“Constance Debré on dirty freedoms”

290 x 250 mm

Out in print November 2023

 

Sculpture

“Frau/Herr Wiśniewski/a, 2023”

67 x 44 x 26 cm

26 1/3 x 17 1/3 x 10 1/3 in

[plaster stone, iron steel]